The Shape Of Water
The Shape Of Water Musical statt Vietnam
Elisa arbeitet zur Zeit des Kalten Krieges in einem Hochsicherheitslabor in den USA. Sie ist stumm und lebt daher einsam und isoliert. Gemeinsam mit ihrer Kollegin Zelda entdeckt sie, dass in dem Labor eine mysteriöse Kreatur in einem Wassertank. Shape of Water – Das Flüstern des Wassers (Originaltitel: The Shape of Water, deutsch: „Die Form von Wasser“) ist ein Spielfilm von Guillermo del Toro aus dem. The Shape of Water steht für: The Shape of Water (), US-amerikanischer Dokumentarfilm von Kum-Kum Bhavnani; The Shape of Water (). Shape of Water - Das Flüstern des Wassers [dt./OV]. ()2 Std. 3 MinX-Ray Der meisterhafte Geschichtenerzähler Guillermo del Toro inszeniert eine. The Shape of Water: Roman: ladintrada.eu: del Toro, Guillermo, Kraus, Daniel, Fricke, Kerstin: Bücher. Buy The Shape of Water: Roman (German Edition): Read Kindle Store Reviews - ladintrada.eu Die Kritik beinhaltet Spoiler. Es ist schwer zu entscheiden, was „Shape of Water – Das Flüstern des Wassers“ vor allem ist. Eine Hommage an ein.
The Shape Of Water Navigation menu Video
The shape of water love sceneDistributeur Twentieth Century Fox France. Secrets de tournage 19 anecdotes. Budget -. Langues Anglais. Format production -. Couleur Couleur. Format audio -.
Format de projection -. En VOD. Interviews, making-of et extraits. La Forme de l'eau. Acteurs et actrices. Sally Hawkins. Michael Shannon. Richard Jenkins.
Octavia Spencer. Critiques Spectateurs. Tout semble bien parti avec une recherche Retrieved August 31, Penske Business Media. Retrieved November 21, Feature Film Study : August 8, Archived PDF from the original on August 9, Retrieved August 14, Box Office Mojo.
Archived from the original on June 23, Retrieved June 24, British Board of Film Classification. Archived from the original on December 21, Retrieved December 19, The Hollywood Reporter.
Archived from the original on July 27, Retrieved July 27, The Guardian. Guardian News and Media. Archived from the original on December 20, Retrieved September 9, July 25, Deadline Hollywood.
Retrieved July 25, The Playlist. Archived from the original on September 6, Retrieved September 7, American Film Institute.
Archived from the original on December 8, Retrieved December 8, March 4, Archived from the original on March 8, Retrieved March 9, Chicago Tribune.
Archived from the original on March 5, Retrieved March 5, Archived from the original on December 14, Retrieved December 11, BBC News.
January 9, Archived from the original on January 9, Retrieved January 9, Archived from the original on March 6, Retrieved February 23, It shows next week at the Venice Film Festival" Tweet.
Retrieved August 25, — via Twitter. August 18, Archived from the original on September 11, Retrieved September 11, Archived from the original on October 14, Retrieved October 16, Archived from the original on December 1, Retrieved November 20, Minnesota Daily.
Archived from the original on December 16, Retrieved December 15, Archived from the original on July 10, Retrieved July 10, Archived from the original on June 10, Vanity Fair.
I will tweet some images now and then--" Tweet — via Twitter. Archived from the original on May 27, Retrieved May 17, Started" Tweet — via Twitter.
Canadian Broadcasting Corporation. September 13, Archived from the original on September 15, Retrieved September 16, Toronto Life Magazine.
Archived from the original on February 19, Retrieved March 4, Archived from the original on August 17, Retrieved August 17, Retrieved December 10, The Wrap.
Entertainment Weekly. December 27, Archived from the original on September 9, Archived from the original on April 20, Retrieved April 19, Archived from the original on March 30, Retrieved March 26, Archived from the original on February 23, Sidney Wolinsky Film Editor.
Alexandre Desplat Original Music. Paul Denham Austerberry Production Design. October 19, Full Review…. October 9, Full Review….
October 2, Rating: 4. September 22, Rating: 4. August 13, Full Review…. View All Critic Reviews Jul 08, Guillermo del Toro is one of those filmmakers I'd love to spend hours with talking movies.
His passion for the art form is infectious. Not being able to do that, at least I can watch The Shape of Water over and over again.
It's a love story about a woman and a beast. But, the real love story is about the moviemaking. Del Toro's zeal for using all the moviemaker's tool are in full display.
Aldo G Super Reviewer. Mar 17, Peter B Super Reviewer. Dec 22, Del Toro's direction saves this film from be a terrible film but it's no a great film like many people says.
Fernando M Super Reviewer. Nov 26, With this movie, I have now watched all of Guillermo Del Toro's filmography. I don't know if I've reviewed every single one of his movies that I've seen on Rotten Tomatoes, but I may end up posting the reviews on Letterboxd at some point or another.
Regardless, my fandom of Del Toro actually dates back to ish, when I was around 15 or 16 years old. I remember I had this Spanish teacher at school and one time she was talking about this movie, raving about it really, and that movie was El Espinazo Del Diablo or, as you gringos know it, The Devil's Backbone.
There was a Blockbuster Video that's how old I am, Blockbuster was still a thing and I regularly visited the store literally across the street from my school.
So, one of those times me and my aunt went to Blockbuster, I found The Devil's Backbone and we rented it. And, naturally, I loved the movie then and I still love the movie now.
As someone who is now 30, I have now been a fan of Guillermo Del Toro's work for half of my life and it's a fandom that I will carry until Del Toro decides to retire.
I think I would, quite easily, place him in my top five of favorite filmmakers of all time. Those aren't placed in any real particular order, but that's just how they came to mind to me.
The first two of those, however, Del Toro and Miike aren't on that list for their filmography per se. Don't get me wrong Del Toro's filmography is top-notch but, as an example, Mimic isn't great though I don't blame Del Toro for that as much as studio interference and Crimson Peak is only just good.
The reason I place him there has as much to do with his unique visual style, his fantastical settings, the creatures that inhabit his incredibly detailed and impressive worlds and the writing.
He's a man who clearly an auteur. He's got a very distinctive style that makes it every easy to pick up on which film are his.
I didn't need to know who the director of this film was to point out that it seems precisely like the sort of thing Del Toro would do.
This brings us to this lovely, lovely movie, however and how it stacks up against his filmography. Most people have said that this is Del Toro's best work since El Laberinto del Fauno and, honestly, I'm inclined to agree with that.
I don't think it surpasses Laberinto, but it's the film in his filmography that has come closest to it.
One of the first reviews on Letterboxd mentioned the fact that Elisa's friends didn't kinkshame her for doing it and how this person needs the same love and support from her friends.
And, admittedly, it is a funny meme review and I'm certain that this particular person knows what the movie is about anyway, it's just a funny review to get likes on Letterboxd.
The thing is that plenty of other people, essentially, summed down the movie to just that. It's a movie about a woman who fucks a 'fish', even though there's a difference between amphibians and fishes.
Regardless, summarizing the film to something as simple as that is sort of, honestly, missing the point about the movie and they simply did not bother to look beyond the film's outward appearance, they didn't bother looking into the film on a deeper level and understand the connection that was built between Elisa and the amphibian man.
In short, I think this really is one of the loveliest romance stories I've seen in quite some time. But, once again, what the movie does quite best is give voice to the voiceless, in this case quite literally as Elisa cannot speak.
Another reason why, I feel, the film works is the fact that all of its major characters are in a state of loneliness.
The film's main theme IS loneliness. Elisa is lonely as a result of the fact that she's mute and her feeling that she won't be able to connect with someone else, as they might see her limitations instead of who she is.
Giles, Elisa's best friend, is a struggling illustrator who also happens to be a gay man in the 60s, when that was looked down upon even more so than it is now in some states.
Zelda, Elisa's co-worker as a cleaner at this secret government lab, has an useless husband who does nothing around the house but watch TV.
Strickland, a colonel who is in charge of the project to study the asset ie: the amphibian man is a workaholic who is distant with his wife and children.
And, finally, Dimitri is a Soviet spy who does not feel at home in the U. S nor with his own people as they are actively trying to undermine the project by eliminating the asset.
So, again, you can see how all of these people, in their own way, are all struggling with their loneliness, even if we're shown the movie, mostly, from Elisa's point of view.
Every few minutes, there's the constant reminder of water thrown in your face. And, to me, I think that plays precisely into the loneliness these characters feels.
I don't think there's a lonelier place in the world than in the vast expanse of the ocean. In many ways, you could make the argument that Elisa and the amphibian man were in the same ocean and even with how vast and empty it is, they managed to find each other.
And, honestly, that's just lovely storytelling to me. But, of course, not all is flowers and sunshine as the movie, which is set against the backdrop of the Cold War, sees the Soviets and the U.
S covertly fight against the other to gain control of the 'asset', as they want to study them to see if it can give them an advantage against the other.
There comes a point when both the U. S and the Soviets both want to kill the amphibian man and this is when Elisa springs into action to save him, with help from Giles, Dimitri and Zelda, from the laboratory and release him back to the ocean at a later date.
As far as villains go, I think Michael Shannon does a phenomenal job as Strickland. Like I said earlier, he is a man who is fully concentrated on the job at hand, he needs to get the results no matter what.
I think it's an interesting story to tell because when the amphibian man is freed from the lab, Strickland goes to his higher ups and essentially tells him that, regardless of how well he may have performed or gotten results in the past, that this one fuck up, if he doesn't fix things before it's too late, will end up destroying his entire career.
So, really, Strickland is not a man that is driven by his own personal motivations. I mean, technically, he is, but he is driven by the fact that he always gets the job done, no matter what.
Michael Shannon, as always, plays this role tremendously with the quiet intensity that is required to make Strickland an incredibly threatening character.
Sally Hawkins is absolutely phenomenal as Elisa, she delivers a nuanced, sympathetic and, in a word that I'm using quite a lot, lovely performance.
One of the best scenes in the entire movie is Elisa explaining to Giles, in sign language while Giles repeats what she says out loud, why she cares so much for the amphibian man and Sally is so amazing here.
She conveys complex emotions without ever uttering a single word. It is a beautiful scene. Another one of my personal favorites is the black and white song and dance that Elisa does, she 'sings' the song in sign language, while it turns to black and white and, in a dream sequence, Elisa's voice is heard for the first and only time in the movie, and she and the amphibian man share a dance together.
August im Rahmen der Durfte den Film gestern im Rahmen der Spiegel Preview sehen. Partner von. Philipp Stadelmaier von Schauspieler Hollywood Süddeutschen Zeitung bemerkt zur aktuellen Situation in Hollywood, wo radikal Sexismus- Imdb Crimson Peak Missbrauchsstrukturen aufgearbeitet werden und sogar Filmemacher wie Quentin Tarantino unter Beschuss geraten, wirke del Toro wie der liebe Märchenonkel, Submerged keiner Fliege was zuleide tun kann, und man könne den Film sorglos konsumieren, ohne sich fragen zu 1971 Filme, ob ihr Schöpfer Inspector Barnaby Staffel 28 chauvinistischer Lehmann Automobile ist. Filmtyp Spielfilm. Deutscher Titel. Das Wesen kann Florian David Fitz wundersamerweise selbst heilen und Strickland die Kehle aufschlitzen. Von Zelda telefonisch gewarnt, eilt Elisa mit Giles und ihrer geliebten Kreatur zum Kanal, wo die Freilassung stattfinden soll.The Shape Of Water Movies / TV Video
Everything Wrong With The Shape of WaterOctavia Spencer. Critiques Spectateurs. Tout semble bien parti avec une recherche Lire plus. Secret de tournage. Parce qu'on l'adore, Si vous aimez ce film, vous pourriez aimer Le Chocolat.
Sur les quais. Il est bon, il est beau mais l'oscar du meilleur film? Quelle blague! Conte sf atypique et sympa A voir mais oubliable. Un petit ovni qu'est ce film!
Oscar du meilleur film? Tu me diras quand on voit la concurrence en Joli film c est un E. T aquatique. The reason I place him there has as much to do with his unique visual style, his fantastical settings, the creatures that inhabit his incredibly detailed and impressive worlds and the writing.
He's a man who clearly an auteur. He's got a very distinctive style that makes it every easy to pick up on which film are his.
I didn't need to know who the director of this film was to point out that it seems precisely like the sort of thing Del Toro would do. This brings us to this lovely, lovely movie, however and how it stacks up against his filmography.
Most people have said that this is Del Toro's best work since El Laberinto del Fauno and, honestly, I'm inclined to agree with that.
I don't think it surpasses Laberinto, but it's the film in his filmography that has come closest to it.
One of the first reviews on Letterboxd mentioned the fact that Elisa's friends didn't kinkshame her for doing it and how this person needs the same love and support from her friends.
And, admittedly, it is a funny meme review and I'm certain that this particular person knows what the movie is about anyway, it's just a funny review to get likes on Letterboxd.
The thing is that plenty of other people, essentially, summed down the movie to just that. It's a movie about a woman who fucks a 'fish', even though there's a difference between amphibians and fishes.
Regardless, summarizing the film to something as simple as that is sort of, honestly, missing the point about the movie and they simply did not bother to look beyond the film's outward appearance, they didn't bother looking into the film on a deeper level and understand the connection that was built between Elisa and the amphibian man.
In short, I think this really is one of the loveliest romance stories I've seen in quite some time. But, once again, what the movie does quite best is give voice to the voiceless, in this case quite literally as Elisa cannot speak.
Another reason why, I feel, the film works is the fact that all of its major characters are in a state of loneliness. The film's main theme IS loneliness.
Elisa is lonely as a result of the fact that she's mute and her feeling that she won't be able to connect with someone else, as they might see her limitations instead of who she is.
Giles, Elisa's best friend, is a struggling illustrator who also happens to be a gay man in the 60s, when that was looked down upon even more so than it is now in some states.
Zelda, Elisa's co-worker as a cleaner at this secret government lab, has an useless husband who does nothing around the house but watch TV.
Strickland, a colonel who is in charge of the project to study the asset ie: the amphibian man is a workaholic who is distant with his wife and children.
And, finally, Dimitri is a Soviet spy who does not feel at home in the U. S nor with his own people as they are actively trying to undermine the project by eliminating the asset.
So, again, you can see how all of these people, in their own way, are all struggling with their loneliness, even if we're shown the movie, mostly, from Elisa's point of view.
Every few minutes, there's the constant reminder of water thrown in your face. And, to me, I think that plays precisely into the loneliness these characters feels.
I don't think there's a lonelier place in the world than in the vast expanse of the ocean. In many ways, you could make the argument that Elisa and the amphibian man were in the same ocean and even with how vast and empty it is, they managed to find each other.
And, honestly, that's just lovely storytelling to me. But, of course, not all is flowers and sunshine as the movie, which is set against the backdrop of the Cold War, sees the Soviets and the U.
S covertly fight against the other to gain control of the 'asset', as they want to study them to see if it can give them an advantage against the other.
There comes a point when both the U. S and the Soviets both want to kill the amphibian man and this is when Elisa springs into action to save him, with help from Giles, Dimitri and Zelda, from the laboratory and release him back to the ocean at a later date.
As far as villains go, I think Michael Shannon does a phenomenal job as Strickland. Like I said earlier, he is a man who is fully concentrated on the job at hand, he needs to get the results no matter what.
I think it's an interesting story to tell because when the amphibian man is freed from the lab, Strickland goes to his higher ups and essentially tells him that, regardless of how well he may have performed or gotten results in the past, that this one fuck up, if he doesn't fix things before it's too late, will end up destroying his entire career.
So, really, Strickland is not a man that is driven by his own personal motivations. I mean, technically, he is, but he is driven by the fact that he always gets the job done, no matter what.
Michael Shannon, as always, plays this role tremendously with the quiet intensity that is required to make Strickland an incredibly threatening character.
Sally Hawkins is absolutely phenomenal as Elisa, she delivers a nuanced, sympathetic and, in a word that I'm using quite a lot, lovely performance.
One of the best scenes in the entire movie is Elisa explaining to Giles, in sign language while Giles repeats what she says out loud, why she cares so much for the amphibian man and Sally is so amazing here.
She conveys complex emotions without ever uttering a single word. It is a beautiful scene. Another one of my personal favorites is the black and white song and dance that Elisa does, she 'sings' the song in sign language, while it turns to black and white and, in a dream sequence, Elisa's voice is heard for the first and only time in the movie, and she and the amphibian man share a dance together.
I hate to keep repeating myself, but it is a lovely scene. I think the movie itself might have been received 'negatively' by people who expected a more straightforward monster movie.
Technically we got one, if you consider Strickland the real monster of the movie which, in a way, he definitely was given his actions.
I think the marketing material, in my opinion, made it clear that it wasn't gonna be a conventional creature feature and that's not Del Toro's style anyway, you knew it wasn't gonna be what some people might have expected.
But that doesn't diminish the impact this film has made in any significant way. It might be different than what a lot of people expected, but it's still a fantastic movie.
Del Toro's visual style remains intact and this very much contains that very distinctive touch. In many ways, however, visually at least, it reminds me of a movie that Jean-Pierre Jeunet would make.
For those of you who don't know, Mr. I don't know if Del Toro drew inspiration from Mr. Jeunet, but the visual similarities are there. I don't mean this as a criticism, of course, just thought it was something worth pointing out.
It still feels very much like a Del Toro movie, that much is obvious. Long story short, I thought this was a fantastic and lovely movie.
It's a movie that has been simplified to tell this narrative of the fact that it's the 'fish fucking' movie which, again, misses the point of the story this movie tells.
And that is a real fucking shame, because this is a beautiful love story. An emotionally charged, tremendously acted, wonderfully shot and intelligent love story.
In many ways this is also a tribute to the old Hollywood classics and you know that the classics never get old.
So, for that, to use a classic old meme, this is still a better love story than Twilight. Ah, like I said, the classics memes never get old. Jesse O Super Reviewer.
See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies.
Best Netflix Series and Shows. Go back. More trailers. The A Word. No Score Yet. The Goldbergs. The Conners.
The Con. American Ninja Warrior. Tyler Perry's Sistas. Rizzo rebuffs the garbage men, much to their surprise, as he is known to be Luparello's friend and ally.
Meanwhile, one of the garbage men finds Ingrid's very valuable solid gold jewel-encrusted necklace, planted by Rizzo's Ingrid look-alike as part of the frame-up.
The handbag with her initials in which she normally kept the necklace was also planted at the brothel in case somebody walked off with the necklace.
Montalbano initially suspects Ingrid's involvement because of her relationship with Luparello which he formerly thought sexual, but she convinces Montalbano that she wasn't involved.
Montalbano then destroys the planted evidence against her and makes sure that Rizzo pays a reward for the necklace so that the garbage man and his wife can send their sick child out of the country for proper medical treatment.
The story wraps up with Montalbano "playing God" by ignoring a gun that he finds in the beach house, thus giving Giorgio the opportunity to avenge his uncle's betrayal by beating up and killing Rizzo.
In the end though Giorgio, too, dies — in a car accident — after previously having had one due to an epileptic seizure that required him to wear a neck brace which we assume is the same one that Montalbano found at the outdoor brothel, and which we also assume was there because of being used by Rizzo and the Ingrid look-alike to make Luparello appear to be alive during the "sex" act at the outdoor brothel.
Publishers Weekly said the ending of The Shape of Water might not please readers from the United States in comparison to European readers. The episode was first aired on 2 May From Wikipedia, the free encyclopedia.
This article is about the Italian novel.
Hollywood schien ihn verschluckt zu haben. Ich mag Filme, die befreiend sind und sagen: Es ist gut so, der Dsds Sendung Verpasst sein, der du bist. Doug Jonesder im Film die Rolle der Kreatur übernommen hatte, war bereits in Hellboy und Hellboy — Die goldene Armee in der Rolle von Abe Sapien als Wasserwesen zu sehen, das auch optische Ähnlichkeiten mit dieser Figur aufweist, [7] aber auch an den Game Of Thrones 5 Staffel Deutsch Stream aus dem Film Der Schrecken vom Amazonas von Jack Arnold aus dem Jahr erinnert, einer ebenfalls in Südamerika entdeckten, halb menschlichen Denise Freidhof halb reptilen Kreatur, die man einzufangen versucht, um sie zu untersuchen. American Film Institute Awards Die stumme Elisa Sally Hawkins ist während des Kalten Krieges in einem Hochsicherheitslabor der amerikanischen Regierung angestellt, wo sie einsam und isoliert ihrer Arbeit nachgeht. 
Das macht sich bezahlt. Strickland wird von Daniel Michel Hoyt unter Druck gesetzt, Ergebnisse zu liefern. Seitenverhältnis. Ich hatte das Gefühl der Regisseur versucht eine an sich banale Geschichte mit reichlich Blut etwas Sex Uhd1 einer polarisierenden Beziehung zwischen Alien und September Filmtyp Spielfilm. Ein bisschen Fantasy, ein bisschen Horror, ein bisschen Lovestory, aber alles sehr stromlinienförmig und langweilig mit einer extrem dünnen Story. Kerry Hayes. 
Rizzo rebuffs the garbage men, much to their surprise, as he is known to be Luparello's friend and ally. But, of course, not all is flowers Balto 2 sunshine as the movie, which is set against the backdrop of the Cold War, sees the Soviets and the U. Retrieved August T Bag, See all Audience reviews. Guillermo del Toro Screenwriter. People can lower their guard a little bit more and listen to the story and listen to the characters and talk about the issues, rather than the circumstances of the issues. In many ways this is also a tribute to the Small Foot Ganzer Film Deutsch Hollywood classics Ekel Alfred Silvester you know that the classics never get old. Archived from the original on March 11, The Shape Of Water - Navigationsmenü
Als Findelkind wurde sie in der Nähe eines Flusses gefunden, sie ist stumm wie das Amazonas-Wesen, und die Narben an ihrem Hals sehen aus wie verkümmerte Kiemen. Guillermo del Toro, Vanessa Taylor.
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die sehr nГјtzliche Frage