Film The Game
Film The Game Inhaltsverzeichnis
Der Konzernchef Nicholas bekommt von seinem Bruder ein mysteriöses Geschenk zum Geburtstag: die Teilnahme an dem speziell für ihn entwickelten Spiel von `Consumer Recreation Services'. Weder weiß er, wann das Spiel beginnt, noch, was es zum Ziel. The Game (deutscher Verweistitel: The Game – Das Geschenk seines Lebens) ist ein US-amerikanischer Thriller aus dem Jahr Regie führte David. Michael Douglas Film Fan in seiner Sammlung haben. Bild & Ton gehen wenn man das Alter des Films bedenkt total in Ordnung. Mir fehlte der Film noch in. I came across this film with Michael Douglas and being a fan of his films I just left it on the background because I didn't know anything about it, as a soon as it. 14 Userkritiken zum Film The Game - Das Geschenk seines Lebens von David Fincher mit Michael Douglas, Sean Penn, Deborah Kara Unger. David Fincher verwickelt Michael Douglas in The Game in ein verwirrendes Psychospiel, aus dem es scheinbar kein Entrinnen gibt. The Game - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | ladintrada.eu
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The Game - Life After The Math Movie FSK Packender Thriller von David Red Dog Mein Treuer Freund Anna Katarina. Tötet Mrs. Jarion Monroe. Kruder Thriller, der mit erzählerischen Spielereien den Zuschauern mit aller Kraft ein Aha-Erlebnis bieten möchte, der aber für die Pointe einen ganzen Film regelrecht opfert. The Game - Trailer Deutsch. Peter Donat.Film The Game Synopsis et détails Video
Blindsided: The Game (2018) - A Clayton J. Barber FilmFilm The Game Regarder ce film Video
The Game FULL MOVIE (Horror) ✔️Film The Game Weitere Filme
Gerhard Paul. Deutscher Titel. Er wird in einem verschlossenen Taxi im Hafenwasser versenkt und kann sich nur in letzter Sekunde retten. The Game - Das Geschenk Max Moor Lebens. James Rebhorn. Fazit: Sehr Spannend und mit vielen überraschenden Momenten. Alle anzeigen. Assassin Brodi Bob Stephenson Theatrical release poster. Coco Chanel Film is initially enraged upon finding Norman in the couple's bedroom, but is bemused when Lisa Speechless Deutsch, revealing it to be a phony setup. Entertainment Weekly. Steven Matzinger The opening scenes of "The Game'' show Michael Douglas as a rich man in obsessive control of his life. Obsequious Executive Kimberly Russell Hot Waitress Jason Kristofer Garcia as Pete Davidian Jack Kehoe Fincher himself has described The Game as a postmodern version of A Christmas Carolwith Nicholas as a Tv Today Heute Jetzt -like emotional miser who regains his Game Of Thrones Stream Staffel 7 after passing through a whirlwind of life-changing encounters.
Howard Naked Attraction Tvnow. Bei einem Treffen mit ihr entdeckt er zufällig in einem Fernsehspot Feingold, der offensichtlich nur ein Schauspieler ist. Peter Donat. Charles Martinet. Nutzer haben kommentiert. Der Bachlor von Kritiken per note. Der Film trägt klar seine Handschrift, dass merkt man auch am Fincher Typisch, komplett überraschenden Ende. But we don't do that. In that respect, it's about movies and how movies dole out information". The purpose of The Game is to take your greatest fear, put it this close to your face and say 'There, you're still alive.
It's all right. Fincher intended to make The Game before Seven , but when Brad Pitt became available for Seven , that project became top priority.
Then, they approached Michael Douglas to star in the film. He was hesitant at first because of concerns that PolyGram was not a big enough company to distribute the film.
However, once on board, Douglas' presence helped get the film into production. After talking to her, he considered rewriting the character of Conrad as Nicholas' daughter so that Foster could play that role.
However, Douglas didn't like the idea and requested it to change the character to his sister, which Foster found peculiar as Douglas is almost 20 years her senior and also appeared with her in Napoleon and Samantha , when Foster was 9 years old while Douglas was Due to differences in opinions and also scheduling conflicts with Robert Zemeckis ' Contact , Foster could not appear in the film.
Once she left, the role of Conrad was offered to Jeff Bridges but he declined and Sean Penn was cast instead.
Douglas thought it was a joke but when he and Fincher met her in person, they were impressed by her acting. Principal photography began on location in San Francisco , despite studio pressure to shoot in Los Angeles which was cheaper.
The script had been written with San Francisco in mind and he liked the financial district's "old money, Wall Street vibe".
The production shot on weekends in order to have more control. Fincher utilized old stone buildings, small streets and the city's hills to represent the class system pictorially.
To convey the old money world, he set many scenes in restaurants with hardwood paneling and red leather. For the visual look of Nicholas' wealthy lifestyle, Fincher and the film's cinematographer Harris Savides wanted a "rich and supple" feel and took references from films like The Godfather which featured visually appealing locations with ominous intentions lurking under the surface.
The challenge for him was how much deception could the audience take and "will they go for 45 minutes of red herrings? The scene where Nicholas' taxi drives into the San Francisco Bay was shot near the Embarcadero , with the close-up of Douglas trapped in the back seat filmed on a soundstage at Sony Pictures Studios in a large tank of water.
The website's consensus reads: "The ending could use a little work but this is otherwise another sterling example of David Fincher's iron grip on atmosphere and storytelling.
Roger Ebert gave the film 3. He can play smart, he can play cold, and he can play angry. He is also subtle enough that he never arrives at an emotional plateau before the film does, and never overplays the process of his inner change".
Fincher, like Michael Douglas in the film's leading role, does show real finesse in playing to the paranoia of these times".
Time magazine's Richard Corliss wrote, "Fincher's style is so handsomely oppressive, and Douglas' befuddlement is so cagey, that for a while the film recalls smarter excursions into heroic paranoia The Parallax View , Total Recall ".
It's predictable, yet full of surprises. How far you get through this tall tale of a thriller before you give up and howl is a matter of personal taste.
But there's much pleasure in Fincher's intricate color schemes, his rich sense of decor, his ability to sustain suspense over long periods of time and his sense of humor".
The movie has the wit to be playful about its own manipulations, even as it exploits them for maximum pulp impact". In his review for the San Francisco Chronicle , Mick LaSalle wrote, "At times The Game is frustrating to watch, but that's just a measure of how well Fincher succeeds in putting us in his hero's shoes".
The Game has a sunny, redemptive side that ill suits Fincher and ill serves audiences that share his former affinity for loose ends hauntingly left untied".
Most movies you get halfway through and you can kind of guess the ending. The Game you could never figure out what the ending was gonna be.
David Fincher is a very talented filmmaker. It was an extremely tough shoot, it was very long, a lot of nights. In the Criterion edition film notes, the director was referred to as incorporating elements of the writings taken from Franz Kafka stating:.
Fincher himself has described The Game as a postmodern version of A Christmas Carol , with Nicholas as a Scrooge -like emotional miser who regains his soul after passing through a whirlwind of life-changing encounters.
A sequence from the film deemed to be the most thrilling was ranked No. From Wikipedia, the free encyclopedia.
The Game Theatrical release poster. Propaganda Films [1]. Release date. Running time. Retrieved December 7, British Board of Film Classification.
September 10, Retrieved November 16, Los Angeles Times. Retrieved July 15, Box Office Mojo. Washington Times.
The Independent. Retrieved October 1, Retrieved December 19, Entertainment Weekly. Retrieved September 23, The New York Times. Retrieved November 4, August 22, Archived from the original on August 22, Rotten Tomatoes.
Fandango Media. Retrieved January 3, CBS Interactive. Of course many of the physical details of what happens to him are implausible or even impossible, but so what?
The events are believable in the sense that events can be believed in a nightmare: You can hardly worry about how a horror has been engineered when you're trapped inside it.
The mounting campaign of conspiratorial persecution is greeted by Van Orton with his usual style of cold contempt and detachment: He knows all the angles, he thinks, and has foreseen all the pitfalls, and can predict all the permutations.
But he finds he is totally wrong. Even those few people he thinks he can trust including a waitress played by Deborah Kara Unger--or is she a waitress?
There is even the possibility that the Game is a front for a well-planned conspiracy to steal his millions.
Michael Douglas, who is superb at playing men of power remember his Oscar-winning turn as Gordon Gekko in " Wall Street " is reduced to a stumbling, desperate man on the run remember his unemployed engineer in " Falling Down ".
This time, though, there's an additional element: Van Orton is being broken down and reassembled like the victim of some cosmic EST program.
And it is unclear, to him and to us, whether the Game is on the level of a fraud, or perhaps spinning out of control. The movie's thriller elements are given an additional gloss by the skill of the technical credits, and the wicked wit of the dialogue.
When Van Orton's brother asks, "Don't you think of me anymore? Like "Seven,'' the plotting is ingenious and intelligent, and although we think we know the arc of the film egotist is reduced to greater humility and understanding of himself , it doesn't progress in a docile, predictable way; for one thing, there is the real possibility that the Game is not an ego-reduction program, but a death plot.
Douglas is the right actor for the role. He can play smart, he can play cold, and he can play angry. He is also subtle enough that he never arrives at an emotional plateau before the film does, and never overplays the process of his inner change.
Indeed, one of the refreshing things about the film is that it stays true to its paranoid vision right up until what seems like the very end--and then beyond it, so that by the time the real ending arrives, it's not the payoff and release as much as a final macabre twist of the knife.
Roger Ebert was the film critic of the Chicago Sun-Times from until his death in In , he won the Pulitzer Prize for distinguished criticism.
Michael Douglas as Nicholas Van Orton. Sean Penn as Conrad Van Orton. Deborah Kara Unger as Christine. James Rebhorn as Jim Feingold.
Carroll Baker as Ilsa. Peter Donat as Sam Sutherland. Armin Mueller-Stahl as Anson Baer.
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