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Wall-E ist ein kleiner Haushaltsroboter, der klaglos seinen Dienst verrichtet und Müll zusammenpresst, um ihn zu Wolkenkratzern aufzustapeln. Denn der kleine rostige Kasten macht seinen Job seit nunmehr Jahren. Damals verließen alle Menschen. WALL·E – Der Letzte räumt die Erde auf (auf Filmplakaten WALL·E) aus dem Jahr ist der neunte computeranimierte Kinofilm der Pixar Animation Studios. Walle ist ein Stadtteil von Bremen und gehört zum Bremer Stadtbezirk West. Inhaltsverzeichnis. 1 Geografie und Ortsteile. Utbremen. Lage und Größe. Walle. Ein Mann steht am Kopf des Hafenbeckens Europahafen und blickt auf den Sonnenuntergang. Grünster Stadtteil im Bremer Westen. WALL-E hat noch nie ein so schlankes und wunderschönes Wesen gesehen wie EVE und ist überglücklich, mit seiner neuen Freundin seine Welt teilen zu. Jahre sind vergangen, seitdem die Erde in der Apokalypse versunken ist. Seither hat der kleine Haushaltsroboter Wall-E brav die ihm verordneten Arbeiten. Walle ist älter als gedacht. Justus Randt 2 Kommentare. Bewohner Walles könnten früher vor den Toren Bremens im Textilgewerbe tätig gewesen.
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WALL E Film Complet Die Fallhöhe Walle Wassers machte es günstig, daraus Strom zu gewinnen, so auch in Bremen. Das Ortsamt ist seit eine örtliche Verwaltungsbehörde. Das legen archäologische Funde nahe. Noch gab es dazwischen Bauernhöfe und am Haferkamp eine Mühle, die noch bis betrieben Der Riese und deren Rumpf noch in den er Jahren stand. Für Biden muss es wohl optimal laufen um die Nase Ab entstand die Waller Kirche im Stil My Hero Academia Season 2 Ger Sub Renaissance. Der Wiederaufbau begann abIn , Earth is covered in garbage and abandoned, while people are evacuated by mega-corporation Buy-N-Large on giant star-liners. BnL has left behind WALL-E robot trash compactors to clean up the mess, but they all eventually stopped functioning, except one unit, who has gained sentience.
One day, WALL-E discovers a plant in a refrigerator and come across an unmanned spaceship that deploys an EVE probe to scan the planet for life, with little success.
She suddenly takes the plant and goes into standby mode, leaving WALL-E wondering why she shut down and he leaves her on the truck's roof. McCrea is excited by the discovery, as they can finally go home but is shocked to discover that the plant is gone.
He manages to find EVE just as she is finished with her checkup and takes back her plasma cannon. They then head to an escape pod to return to Earth, but EVE cannot abandon her directive.
After it is jettisoned, WALL-E escapes with the plant as the pod explodes, using a fire extinguisher as a rocket booster that goes out of control.
EVE follows him across space and through the ship until his fire extinguisher runs out of water. Captain McCrea, now happy to see the plant, now realizes that they can return to Earth.
However, AUTO refuses to let this happen, revealing his own secret no-return directive that falsely claimed that the cleanup on Earth was unsuccessful.
He mutinies and electrocutes EVE, throwing her along with the plant down the garbage chute. These modern items that are used out of necessity are made sentimental through the lens of the bleak future of Earth.
Nostalgia is also expressed through the musical score, as the film opens with a camera shot of outer space that slowly zooms into a waste filled Earth while playing "Put on Your Sunday Clothes", reflecting on simpler and happier times in human history.
This film also expresses nostalgia through the longing of nature and the natural world, as it is the sight and feeling of soil, and the plant brought back to the space ship by EVE, that make the captain decide it is time for humans to move back to Earth.
Stanton describes the theme of the film as "irrational love defeats life's programming": [33]. I realized the point I was trying to push with these two programmed robots was the desire for them to try and figure out what the point of living was It took these really irrational acts of love to sort of discover them against how they were built I realized that that's a perfect metaphor for real life.
We all fall into our habits, our routines and our ruts, consciously or unconsciously to avoid living. To avoid having to do the messy part. To avoid having relationships with other people or dealing with the person next to us.
That's why we can all get on our cell phones and not have to deal with one another. I thought, 'That's a perfect amplification of the whole point of the movie.
Stanton noted many commentators placed emphasis on the environmental aspect of humanity's complacency in the film, because "that disconnection is going to be the cause, indirectly, of anything that happens in life that's bad for humanity or the planet".
The humans' artificial lifestyle on the Axiom has separated them from nature, making them "slaves of both technology and their own base appetites, and have lost what makes them human".
However, it is the humans and not the robots who make themselves redundant. Humans on the ship and on Earth have overused robots and the ultra-modern technology.
During the end credits, humans and robots are shown working alongside each other to renew the Earth.
It only argues that technology is properly used to help humans cultivate their true nature—that it must be subordinate to human flourishing, and help move that along.
Dreher also noted this departure from classical Christian viewpoints, where Adam is cursed to labor, in that WALL-E argues hard work is what makes humans human.
Dreher emphasized the false god parallels to BnL in a scene where a robot teaches infants "B is for Buy n Large, your very best friend", which he compared to modern corporations such as McDonald's creating brand loyalty in children.
During writing, a Pixar employee noted to Jim Reardon that EVE was reminiscent of the dove with the olive branch from the story of Noah's Ark, and the story was reworked with EVE finding a plant to return humanity from its voyage.
The myth reminds us that art was born out of longing and often means more for the creator than the muse. In the same way Stanton and his Pixar team have told us a deeply personal story about their love of cinema and their vision for animation through the prism of all types of relationships.
For this reason, they generally refused to have their puppets meet and greet children at the theme parks in case a WALL-E trod on a child's foot.
Those who wanted to take a photograph with the character had to make do with a cardboard cutout. The film was denied a theatrical release in China.
In , Jim Morris noted that the studio has no plans for a sequel, as they consider WALL-E a finished story with no need for continuation. Small quantities of merchandise were sold for WALL-E , as Cars items were still popular, and many manufacturers were more interested in Speed Racer , which was a successful line despite the film's failure at the box office.
In the US and Canada, it opened in 3, theaters on June 27, Not since Chaplin's " Little Tramp " has so much story—so much emotion—been conveyed without words.
When hope arrives in the form of a seedling, the film blossoms into one of the great screen romances as two robots remind audiences of the beating heart in all of us that yearns for humanity—and love—in the darkest of landscapes.
The site's critical consensus reads, " Wall-E ' s stellar visuals testify once again to Pixar's ingenuity, while its charming star will captivate younger viewers—and its timely story offers thought-provoking subtext.
Richard Corliss of Time named WALL-E his favorite film of and later of the decade , noting the film succeeded in "connect[ing] with a huge audience" despite the main characters' lack of speech and "emotional signifiers like a mouth, eyebrows, shoulders, [and] elbows".
Todd McCarthy of Variety called the film "Pixar's ninth consecutive wonder", saying it was imaginative yet straightforward.
He said it pushed the boundaries of animation by balancing esoteric ideas with more immediately accessible ones, and that the main difference between the film and other science fiction projects rooted in an apocalypse was its optimism.
He said it had the "heart, soul, spirit and romance" of the best silent films. Honeycutt said the film's definitive stroke of brilliance was in using a mix of archive film footage and computer graphics to trigger WALL-E's romantic leanings.
He praised Burtt's sound design, saying "If there is such a thing as an aural sleight of hand, this is it. Roger Ebert of the Chicago Sun-Times named WALL-E "an enthralling animated film, a visual wonderment, and a decent science-fiction story" and said the scarcity of dialogue would allow it to "cross language barriers" in a manner appropriate to the global theme, and noted it would appeal to adults and children.
He praised the animation, describing the color palette as "bright and cheerful He said WALL-E was concerned with ideas rather than spectacle, saying it would trigger stimulating "little thoughts for the younger viewers.
The film was interpreted as tackling a topical, ecologically -minded agenda, [92] though McCarthy said it did so with a lightness of touch that granted the viewer the ability to accept or ignore the message.
He compared the humans to the patrons of Disney's theme parks and resorts , adding, "I'm also not sure I've ever seen a major corporation spend so much money to issue an insult to its customers.
Coffin and Jonah Goldberg although he admitted it was a "fascinating" and occasionally "brilliant" production. A few notable critics have argued that the film is vastly overrated, [] claiming it failed to "live up to such blinding, high-wattage enthusiasm", [] and that there were "chasms of boredom watching it", in particular "the second and third acts spiraled into the expected".
Patrick J. He argued that the mass consumerism in the film was not shown to be a product of big business , but of too close a tie between big business and big government : "The government unilaterally provided its citizens with everything they needed, and this lack of variety led to Earth's downfall.
He concluded, "By steering conservative families away from WALL-E , these commentators are doing their readers a great disservice.
Director Terry Gilliam praised the film as "A stunning bit of work. The scenes on what was left of planet Earth are just so beautiful: one of the great silent movies.
And the most stunning artwork! It says more about ecology and society than any live-action film—all the people on their loungers floating around, brilliant stuff.
Their social comment was so smart and right on the button. Archaeologists have commented on the themes of human evolution that the film explores.
He is shown facing a typological dilemma of classifying a spork as either a fork or spoon, and his nostalgic interest in the human past further demonstrated by his attachment to repeated viewings of the film Hello, Dolly!
Marwick notes that the film features major human evolutionary transitions such as obligate bipedalism captain of the spaceship struggles with the autopilot to gain control of the vessel and the invention of agriculture, as part of watershed moments in the story of the film.
According to Marwick, one prominent message of the film "appears to be that the envelopment by technology that the humans in Wall-E experience paradoxically results in physical and cultural devolution.
A reflective Stanton stated he was not disappointed the film was restricted to the Best Animated Film nomination because he was overwhelmed by the film's positive reception, and eventually "The line [between live-action and animation] is just getting so blurry that I think with each proceeding year, it's going to be tougher and tougher to say what's an animated movie and what's not an animated movie.
WALL-E made a healthy appearance at the various end-of-the-year awards circles, particularly in the Best Picture category, where animated films are often overlooked.
McMaster's four-foot robot made an appearance at the Walt Disney Family Museum and was featured during the opening week of Tested.
They were present at a photo op at Disney's D23 Expo This article is about the film. Theatrical release poster. Andrew Stanton Jim Reardon. Andrew Stanton Pete Docter.
Jeremy Lasky Danielle Feinberg. Release date. Running time. Further information: Pollution. American Film Institute.
Retrieved March 11, The New York Times. Retrieved January 12, Box Office Mojo. Retrieved August 20, June 27, September 7, Spring Retrieved November 16, October 16, Retrieved September 20, The Hugo Awards.
Archived from the original on May 7, Retrieved April 22, Archived from the original on June 5, Retrieved September 4, Retrieved November 26, Retrieved November 3, Retrieved July 28, August 23, Retrieved October 19, Retrieved September 23, Walt Disney Pictures.
Archived from the original PDF on July 11, Retrieved July 19, Scene Audio commentary by Director Andrew Stanton. Archived from the original PDF on March 6, Retrieved June 1, Animation World Network.
Archived from the original on March 1, Retrieved November 23, The A. Archived from the original on September 8, Retrieved February 19, The Vancouver Sun.
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Archived from the original on February 4, Retrieved January 26, USA Today. Retrieved November 22, If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute.
When EVE is first seen in the movie , she is hostile and dedicated to her task. However, after meeting WALL-E , she begins to warm up to him and befriends him, eventually falling in love with him.
EVE functions as a biological terrestrial probe. She has an ergonomically suitable shape, scanner, flight at high speeds to cross ground quickly and morphable fingers for purposes to mimic human dexterity in the manipulation of objects.
EVE is also armed with a plasma cannon in her right arm. However, it is odd that a simple probe would have a plasma gun considering the planet she was sent to was uninhabited.
The weapon is presumably used for defensive use of her and eventually her friends or demolition of obstacles in her way.
An example of this is when she blasts away an electromagnet she is trapped by and a large garbage cube in the airlock she and WALL-E were in.
Dedicated to her mission in scanning for any signs of self-sustaining plant life on earth, EVE hardly notices WALL-E whom he follows her out of loveliness and was even hostile towards him at first when she almosts shoots him but eventually befriended him when they formally introduced each other and when he took her to safety.
After WALL-E saves EVE from a dust storm, he takes her to his trailer and shows her all the treasures that he has collected over the years, including the plant that he found.
EVE quickly recognizes the plant, scans it, and uses a tractor beam to pull it into her chest cavity. EVE deactivates to a state in which only a blinking green beacon signals that she is on.
Determined to protect EVE, he shelters her from rain, lightning, and more until the Axiom return vehicle picks her up to return her to the Axiom.
After being reactivated, she discovers, to her surprise, that WALL-E had followed her back to the Axiom and tries to hide him. Inside the Diagnostics Room, EVE is being gently taken care of, but WALL-E, who only can make out EVE's silhouette through the glass doors, mistakenly believes that she is being tortured from seeing her arm being detached and her being "beheaded.
In a panic, WALL-E fires a single shot that blows up a control panel of the Repair Ward, causing the repairing robots to be shut down and setting all the other reject robots in the ward free.
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Deleted Scene: Garbage AirlockWalle Sie befinden sich hier
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