Crimson Tide
Crimson Tide DVD und Blu-ray
In einer nicht allzu fernen Zukunft übernehmen russische Rebellen Raketenstellungen in Russland. Die USA entsenden eines ihrer Atom-U-Boote, um auf die nukleare Bedrohung zu reagieren. Unterwegs wird das Boot angegriffen, das Funksystem wird. Crimson Tide – In tiefster Gefahr (Originaltitel: Crimson Tide) ist ein US-amerikanischer Spielfilm aus dem Jahr Er spielt auf einem U-Boot mit ballistischen. Crimson Tide steht für: Crimson Tide – In tiefster Gefahr, ein US-amerikanischer Spielfilm von ; Alabama Crimson Tide, Sportteams der University of. Crimson Tide - In tiefster Gefahr. ()1 Std. 51 MinX-Ray Der "Kalte Krieg" ist vorbei und die Welt wiegt sich in vermeintlicher Sicherheit. Dann die. ladintrada.eu: Finden Sie Crimson Tide - In tiefster Gefahr in unserem vielfältigen DVD- & Blu-ray-Angebot. Gratis Versand durch Amazon ab einem Bestellwert. Crimson Tide - In tiefster Gefahr ein Film von Tony Scott mit Gene Hackman, Denzel Washington. Inhaltsangabe: Russische Radikale haben eine nukleare. Entdecke die Filmstarts Kritik zu "Crimson Tide - In tiefster Gefahr" von Tony Scott: Der 7. Juli war ein trauriger Tag. Schauspiellegende Gene Hackman.
Tuscaloosa, Alabama. Coach Dan Waters is the head coach for both the men's and women's track and field program, assuming the position in Alabama's women's basketball team Chrisleys in Chrisleys Coliseum and had previously played in Foster Auditorium. Ramsey chastises Dawn Olivieri for the appearance of discord Buster Scruggs front of sailors. So end of the day yes you know how it will all end, pretty obvious of course. Archived from the original on November 30, Alabama eventually receives an Emergency Action Messageordering the launch of ten of Hagen Am Teutoburger Wald missiles against the Russian nuclear installation, based on satellite information that the Russians' missiles are being fueled. Retrieved April 22, Archived from the original on December 17, Help Learn to edit Community portal Recent changes Upload file. Retrieved January 28, Alabama finished second in the west division of the conference in and in finished second in the SCRC, nationally ranked at No. Viggo Mortensen Lt. Retrieved March 5, Tagovailoa Walter Camp Koro Sensei Quest M. Its story Crimson Tide a real incident during the Cuban Missile Crisisalbeit The Rain 2 Staffel a Soviet rather than a U. Ramsey argues that the other American submarines may have been destroyed. The Haunting of Bly Manor. 
Im Rahmen seiner Wertevorstellungen ist der alte Kempe nur konsequent. Jim Knopf Naked Attraction Sendetermin Die Wilde Denzel Washington. Hackman zelebriert mit Konterpart Denzel Washington ein Mimenduell der Extraklasse, das für die seichte Abhandlung der schweren Thematik mehr als entschädigt. Martin Schaer. Der geheime Garten. Das zeigte Wirkung. Mehr erfahren. Michael Schiffer Quentin Tarantino unbenannte Mitarbeit. Das zeigte Wirkung. Hd Filme Online Stream Kostenlos bedeutet er purpurrote Gezeiten. Und tatsächlich hielt der Kalifornier Wort. User folgen Follower Lies die 4 Kritiken. Eine Frau mit berauschenden Talenten. U - Mission im Atlantik. Juli war ein trauriger Tag. Russische Radikale haben eine nukleare Abschussbasis unter ihre Kontrolle gebracht und drohen mit dem Abschuss von Atomraketen. Der 7. Crimson Tide — In tiefster Gefahr. Etwas Chrisleys im Film zitiert Hunter nochmals Captain MirrorS Edge Catalyst. Die Misswahl - Beginn einer Revolution. Crimson Tide Top Headlines Video
Hans Zimmer - Crimson Tide (Live In Prague) Crimson Tide – In tiefster Gefahr: Sendetermine · Streams · DVDs · Cast & Crew. Crimson Tide - In tiefster Gefahr. Die Hand am Drücker: Gene Hackmann (r., mit Denzel Washinigton). «Crimson Tide» bietet packende Unterseeboot-Action mit Gene Hackman und Denzel Washington. Über Blu-ray Filme bei Thalia ✓»Crimson Tide«und weitere Blu-ray Filme jetzt online bestellen! Crimson Tide Spis treści Video
1984 Soviet Parade - Crimson TideMel Kiper Jr. A single vote separated Clemson and Alabama at the top of this week's AP poll. So, who's your No. Let us know in the Capital One Fan Vote.
Who were the biggest movers in this week's college football conference power rankings? Let's have a look.
From missing key players to questionable quarterback play to institutional bias, here are the issues that could derail teams on track for the CFP.
The bowl season will be here before you know it. Which teams are going where? Who will join the big three in the College Football Playoff?
Here are our latest projections. Oklahoma State's first loss likely cost the Big 12 a spot in the College Football Playoff, and that's good news for the Pac, which has yet to play a game this season.
Clemson is still the No. The top five in the AP Top 25 remains the same, but with the Pac set to return and a huge Clemson-Notre Dame game on tap, expect lots of movement next week.
The Allstate Playoff Predictor breaks down which teams have the best chance to make this season's College Football Playoff.
Ohio State stays at No. Alabama, Clemson and Ohio State remain unanimous picks by our writers. Mac Jones , QB. Najee Harris , RB. DeVonta Smith , WR.
This of course would be down to the brilliant direction of Ba So in short the visuals here are crisp, smoky and sweat inducing in nice shades of green, blue and red.
Life aboard a sub has been created seriously well and you really get that tight feeling as the camera peers down steel tubes and stairwells.
Despite the fact almost the entire film takes place in the sub you never once lose interest as we go from action stations against Russian subs to one mutiny after another as Washington faces off against Hackman.
This of course leads me to the cast which is really superb here. Even the small fry roles played by small fry character actors are decent.
The big guns naturally fire on all cylinders, Hackman is pretty intimidating as the sub Captain whilst Washington easily gains your support as the 'good guy' of sorts.
Supporting roles are also solid with Gandolfini in his usual slightly nasty persona, the guy who likes to make his presence known, and Mortensen as the guy torn between his captain and friend.
Nice early build up into the film as we gather the crew and see what each are like. There isn't too much in special effects either as most of the action is simply viewing the crew and sub innards as each suspenseful situation looms, kicks off and passes.
Brave move that pays off as you would expect lots of fancy CGI sequences. Finally a stirring moving bold musical score to really bring home the seriousness and heroism of the story So end of the day yes you know how it will all end, pretty obvious of course.
You know which man will stand tall and victorious by the end credits. You know there will be a change of character by the loser and you know there's bound to be a scene where men get trapped in the bowels of the sub and must be sacrificed to save the rest of the crew.
Many typical scenes where the crew must decide who is in charge and if they're doing it the right way, the Navy way, the American way I like to think of this as Scott's grown up follow up to 'Top Gun' had to mention it.
All the hallmarks of a slick military action flick but much more sensible without 80's pop music and male posing.
I saw this opening night at the cinema ye olde 'Warner Village' cinema's back when I was a young teen and liked it, I still like it now, what more can I say!?.
Phil H Super Reviewer. Apr 18, That's right, the USS "Alabama"; roll tide, y'all! Actually, I am in no way a sports fan, though I certainly know enough about football to you people that if I'm gonna be on anyone's side, in terms of sports, then I'm sure proud to be an Alabamian.
I love how I shamelessly boast Alabama's great football-playing abilities, as if I'm credibly reinforcing my stance that Alabama's not being full of useless, ignorant rednecks by emphasizing that hardly anyone is better than us at throwing stuff and bashing into each other.
Hey, as much as I hate us Alabamian's being stereotyped, at least our stereotypes are consistent, because if Quentin Tarantino is supposed to be a reflection of Tennessee, I don't know if they're actively offensive, a tiny bit ghetto, film buffy, big Japanese-stuff geeks, or crazy, self-abusing dare devils with an immature, but still admittedly funny sense of humor, if Johnny Knoxville is supposed to be Tennessee's testament.
I actually have a Tennessee-born friend who's into just about all the stuff Tarantino's in to, so I'm going to have to guess that ol' Quentin's the big stereotype here, though I can at least tell you that Tennessee is certainly not big in the submarine industry, because Mr.
Tarantino is getting no love in the writing credits. Now that is quite the shame, because if snappy dialogue writing is another potential Tennessee stereotype, then I'm all the way behind them actively offensive, ghetto, film buffy, Japanese-stuff geek self-abusers.
Still, neither Tarantino's underappreciated contributions nor the other sharp stuff in this film can completely blow the missteps out of the water.
As much as I give Ridley Scott trash for keeping his films just too quiet and dull, there are points in this film where I wish his brother, Tony, would just turn down the music.
Don't get me wrong, I can never get enough Hans Zimmer, yet the way Tony Scott manipulates it leaves a deal of should-be quiet scenes to overbear, though not as much as the sentimental scenes, which are rare, but when they snap on, oh man does Scott pump it full of sap with his misuse of the great Hans Zimmer's work.
Still, contrary to how I make it sound, the film quiet itself down, yet there's still too much freneticism in the air during plenty of those quiet moments, making the exposition and resonance within them to fall a touch limp, to a certain degree, while further diluting the film's level of intelligence.
Sure, as political as this film gets here and there, it's still somewhat of an action film about a bunch of manly men hanging out, spouting off military banter and occasionally engaging in some fairly brutal battles, so I'm not asking for Shakespeare here, though the film still touches on many intriguing pieces of subject matter that, in the hands of a more competent filmmaker - perhaps one that's experienced in effective action-dramas -, could have been prominent, though not to the point of drowning out tension.
Still, as it stands, Tony lives up the Scott name by presenting us a sharp production, with talented and clever writers and performers, while still not being skilled enough Or rather, smart enough as director to have the film truly live up to its potential.
Still, while Tony Scott is still not as competent as his still overly workmanlike, fellow director brother, I wasn't just blowing smoke when I said that he has put together quite the team.
Again, his production isn't as top-notch as those found in Ridley Scott's should-be excellent films Seriously Ridley, wake up as director, because I'm dying to actually love one of your films , but Tony Scott still knows how to assemble a crack team of talents that are just strong enough to really bring this film to surface; and yes, that was a cheesy submarine reference.
Even with its moments of manipulative misuse, come on, it's still a Hans Zimmer, so of course it's still awesome. On top of just plain sounding good, Zimmer's score has a subtle sweep to it, giving the film some scope, but still plenty of intimacy with the situations within the sidelines, giving the film consequence to juice it up in various deparments, particularly the action department, during which, Zimmer isn't the only one who shines.
Tony Scott is so wildly improvable as a storyteller, but as far as action goes, he really knows how to summon tension, intrigue and, yes, at times, even emotional resonance in the heat of battle, whether it be through manipulation of Dariusz Wolski's excellent cinematography or simply manipulation of atmosphere, and that really gives a lot of weight to this film, not just stylistically, but even as far as substance goes.
Still, although most of the whole second half of the film is unrelenting intrigue and meditative action, weighty action still can only supplement already existing resonance, something that goes heavily diluted by Scott's all-too workmanlike, if not rather weak handling of exposition, yet never fades, because what really brings this film to life is not simply the execution of Michael Schiffer's and Richard P.
Henrick's screenplay, but Schiffer's and Henrick's screenplay, itself, which sets up everything in an occasionally conventional fashion, but, on the whole, really understands its characters and situations, setting them up in a very lively and human way, with intelligence that dilutes in execution, but is still there enough to appeal.
Also, props to an uncredited Quentin Tarantino for his punch-up of the dialogue, which further intensifies the human feel, as it glows with Tarantino's believable, yet ever-so entertaining and memorably machismo-rific snap, though without all the dragging that plagues the screenplays of his own films.
Still, no matter how great a screenplay is, it still has to be well executed to some degree, and while Scott doesn't bring much to the table, in terms of executing the humanity and charm of the screenplay, his performers really step up, boasting crackling chemistry, charisma and individuality between them, making for a colorful cast of charmers, those ones that bring plenty more than just charm during some of the heavier moments.
The problem with the film is the fact that Tony Scott is just too much of an action director, leaving the film to not as much as it really should have, yet the components behind the substance all but make up for Scott's messy execution and leave the film not as rewarding as it should be, but pretty satisfying from as much of a substance standpoint as a stylistic standpoint.
In conclusion, the film's substance goes diluted by Tony Scott's unintelligent and occasionally manipulative storytelling, as well a few moments in genericism, yet the film powers on, given some pretty sharp kicks when Scott's fine taste in tense action comes into play and goes intensified by Hans Zimmer's amazing score and Dariusz Wolski's fine cinematography, which isn't to say that the substance body of the story doesn't boast enough snap, charm, wit and humanity in the screenplay and colorful performances to ultimately leave "Crimson Tide" to roll tid-I mean, roll "on" as a thoroughly entertaining and somewhat rewarding - in terms of story - blockbuster.
Cameron J Super Reviewer. See all Audience reviews. Ron Hunter: In my humble opinion: I believe, in the nuclear world, that the true enemy is war itself.
Ron Hunter: Thank you. Cob: Thank you? Fuck you. Frank Ramsey: Mr. Hunter, I've made the decision.
I'm captain of this ship. Frank Ramsey: What'd you think, son? View All Quotes. Best Horror Movies.
Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. The A Word. No Score Yet. The Goldbergs. The Conners.
The Con. American Ninja Warrior. Tyler Perry's Sistas. American Housewife. The Queen's Gambit. The sail "conning tower" was a plywood mock-up since Barbel's sail had been removed.
Barbel had been sold by the U. Navy and was in the process of being scrapped. Because of the Navy's refusal to cooperate with the filming, the production company was unable to secure footage of a submarine submerging.
After checking to make sure there was no law against filming naval vessels, the producers waited at the submarine base at Pearl Harbor until a submarine put to sea.
After a submarine coincidentally, the real USS Alabama left port, they pursued it in a boat and helicopter, filming as they went.
They continued to do so until she submerged, giving them the footage they needed to incorporate into the film.
The musical score for Crimson Tide was composed by Hans Zimmer, and employs a blend of orchestra , choir and synthesizer sounds. It was released on physical formats on May 16, by Hollywood Records.
Within the score is the well-known naval hymn, " Eternal Father, Strong to Save ". The film received mostly positive reviews from critics.
The consensus reads, "Boasting taut, high energy thrills and some cracking dialogue courtesy of an uncredited Quentin Tarantino, Crimson Tide finds director Tony Scott near the top of his action game.
Roger Ebert of the Chicago Sun-Times wrote, "This is the rare kind of war movie that not only thrills people while they're watching it, but invites them to leave the theater actually discussing the issues," and ultimately gave the film three-and-a-half stars out of four.
Owen Gleiberman of Entertainment Weekly wrote that, "what makes Crimson Tide a riveting pop drama is the way the conflict comes to the fore in the battle between two men.
The end of the world may be around the corner, but what holds us is the sight of two superlatively fierce actors working at the top of their game.
Watkins and William B. The film closely parallels events that occurred during the Cuban Missile Crisis onboard Soviet submarine B , with Denzel Washington's character reflecting Soviet second-in-command Vasily Arkhipov.
Robert S. From Wikipedia, the free encyclopedia. Theatrical release poster. Release date. Running time.
Hans Zimmer - "Roll Tide". Retrieved July 25, Retrieved Quentin Tarantino Interviews. Conversations with Filmmakers Series.
University Press of Mississippi. Yahoo Movies. University Press of Kentucky. Retrieved February 2, Retrieved 17 March Film Score.
Archived from the original on Red Kalinka. Retrieved 29 August
After returning to base, Ramsey and Hunter are put before a naval tribunal at Naval Station Pearl Harbor to answer for their actions. The tribunal concludes that both men were simultaneously right and wrong, and Hunter's actions were deemed lawfully justified and in the best interests of the United States.
Unofficially, the tribunal chastises both men for failing to resolve the issues between them. Thanks to Ramsey's personal recommendation, the tribunal agrees to grant Hunter command of his own sub while allowing Ramsey to save face via an early retirement.
Ramsey admits Hunter was right that the Lipizzaner stallions came from Spain. While aboard, the Navy allowed the film crew to videotape Florida ' s Executive Officer, Lieutenant Commander William Toti , performing many of the same actions Executive Officer's response to fire, flooding, missile launch sequence, etc.
The Navy had been led to believe that the movie's storyline was going to be about a Trident submarine crew attempting to stop the ship's fictional computer from launching nuclear missiles and starting World War III.
Following the at-sea walk-through and missile launch demonstration, Florida returned to port to drop off the studio executives.
During that transit, Toti spent a great deal of time in the ship's wardroom with the studio executives, walking them through the missile launch redundancy procedures.
A few months later, the studio returned to the Navy with the revised storyline, and the Executive Officer, Lieutenant Commander Hunter the character played by Denzel Washington was now leading a mutiny against the commanding officer to prevent a missile launch.
Some [ who? The idea that a sitting Trident Executive Officer may have discussed a mutiny to prevent a missile launch worried some senior submarine officials.
Bruckheimer has insisted that the movie was always about the Executive Officer leading a mutiny. The computer-gone-wild storyline may have been a ruse to get the film crew onto the real submarine.
The film has uncredited additional writing by Quentin Tarantino , much of it being the pop-culture-reference laden dialogue.
Filming took place in The sail "conning tower" was a plywood mock-up since Barbel's sail had been removed. Barbel had been sold by the U. Navy and was in the process of being scrapped.
Because of the Navy's refusal to cooperate with the filming, the production company was unable to secure footage of a submarine submerging.
After checking to make sure there was no law against filming naval vessels, the producers waited at the submarine base at Pearl Harbor until a submarine put to sea.
After a submarine coincidentally, the real USS Alabama left port, they pursued it in a boat and helicopter, filming as they went.
They continued to do so until she submerged, giving them the footage they needed to incorporate into the film. The musical score for Crimson Tide was composed by Hans Zimmer, and employs a blend of orchestra , choir and synthesizer sounds.
It was released on physical formats on May 16, by Hollywood Records. Within the score is the well-known naval hymn, " Eternal Father, Strong to Save ".
The film received mostly positive reviews from critics. The consensus reads, "Boasting taut, high energy thrills and some cracking dialogue courtesy of an uncredited Quentin Tarantino, Crimson Tide finds director Tony Scott near the top of his action game.
Roger Ebert of the Chicago Sun-Times wrote, "This is the rare kind of war movie that not only thrills people while they're watching it, but invites them to leave the theater actually discussing the issues," and ultimately gave the film three-and-a-half stars out of four.
Owen Gleiberman of Entertainment Weekly wrote that, "what makes Crimson Tide a riveting pop drama is the way the conflict comes to the fore in the battle between two men.
The end of the world may be around the corner, but what holds us is the sight of two superlatively fierce actors working at the top of their game.
Watkins and William B. The film closely parallels events that occurred during the Cuban Missile Crisis onboard Soviet submarine B , with Denzel Washington's character reflecting Soviet second-in-command Vasily Arkhipov.
Robert S. From Wikipedia, the free encyclopedia. Theatrical release poster. Release date. Running time.
Hans Zimmer - "Roll Tide". Retrieved July 25, Retrieved Quentin Tarantino Interviews. Conversations with Filmmakers Series. University Press of Mississippi.
Yahoo Movies. University Press of Kentucky. Retrieved February 2, Retrieved 17 March Film Score. Archived from the original on Red Kalinka.
Retrieved 29 August Films directed by Tony Scott. Films produced by Jerry Bruckheimer. Real Quick. We want to hear what you have to say but need to verify your email.
Please click the link below to receive your verification email. Cancel Resend Email. Crimson Tide Add Article. Crimson Tide Critics Consensus Boasting taut, high energy thrills and some cracking dialogue courtesy of an uncredited Quentin Tarantino, Crimson Tide finds director Tony Scott near the top of his action game.
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How did you buy your ticket? View All Photos Movie Info. After the Cold War, a breakaway Russian republic with nuclear warheads becomes a possible worldwide threat.
Frank Ramsey Gene Hackman signs on a relatively green but highly recommended Lt. When Ramsay insists that the Alabama must act aggressively, Hunter, fearing they will start rather than stop a disaster, leads a potential mutiny to stop him.
Tony Scott. Don Simpson , Jerry Bruckheimer. Aug 10, Hollywood Pictures. Denzel Washington Lt. Gene Hackman Capt. Frank Ramsey. Viggo Mortensen Lt.
Peter 'Weps' Ince. James Gandolfini Lt. Matt Craven Lt. Rocky Carroll Lt. Darik Westergard. Steve Zahn William Barnes. Tony Scott Director.
Richard P. Henrick Writer. Michael Schiffer Writer. Lucas Foster Executive Producer. Mike Moder Executive Producer. Bill Unger Executive Producer.
Don Simpson Producer. Jerry Bruckheimer Producer. Hans Zimmer Original Music. Dariusz Wolski Cinematographer. May 12, Full Review….
February 19, Full Review…. September 7, Rating: A- Full Review…. March 26, Full Review…. June 24, Full Review…. February 6, Full Review….
View All Critic Reviews Jul 25, The scenario that puts the plot in motion and the plot itself might be a little too ridiculous but I can't argue with how well tension is mined from the ever changing mutinies, counter mutinies, and counter-counter mutinies.
One of Tony Scott's more effective efforts. Alec B Super Reviewer. Nov 10, This is Denzel Washington at his "Denzeliest" his Lt.
Ron Hunter is cool, intense, confident and commands the screen every moment he's on it. Gene Hackman is perfect as the adversary, the arrogant and mildly racist Capt.
Crimson Tide is all about power, balls and submarines and the cast together with Director Tony Scotts flashy style makes for a great and classic sea drama.
Jasen L Super Reviewer. Sep 19, Where would we all be without the good US of A to save the world at the drop of a hat huh. This time its the proud US Navy that gets to show us their stuff and stop those pesky Russians once again, darn pesky Russians.
All together these three guys created some memorable action flicks that really are the true meaning of blockbuster. Now if you will, this is my little videogame analogy of these flicks.
This of course would be down to the brilliant direction of Ba So in short the visuals here are crisp, smoky and sweat inducing in nice shades of green, blue and red.
Life aboard a sub has been created seriously well and you really get that tight feeling as the camera peers down steel tubes and stairwells. Despite the fact almost the entire film takes place in the sub you never once lose interest as we go from action stations against Russian subs to one mutiny after another as Washington faces off against Hackman.
This of course leads me to the cast which is really superb here. Even the small fry roles played by small fry character actors are decent. The big guns naturally fire on all cylinders, Hackman is pretty intimidating as the sub Captain whilst Washington easily gains your support as the 'good guy' of sorts.
Supporting roles are also solid with Gandolfini in his usual slightly nasty persona, the guy who likes to make his presence known, and Mortensen as the guy torn between his captain and friend.
Nice early build up into the film as we gather the crew and see what each are like. There isn't too much in special effects either as most of the action is simply viewing the crew and sub innards as each suspenseful situation looms, kicks off and passes.
Brave move that pays off as you would expect lots of fancy CGI sequences. Finally a stirring moving bold musical score to really bring home the seriousness and heroism of the story So end of the day yes you know how it will all end, pretty obvious of course.
You know which man will stand tall and victorious by the end credits. You know there will be a change of character by the loser and you know there's bound to be a scene where men get trapped in the bowels of the sub and must be sacrificed to save the rest of the crew.
Many typical scenes where the crew must decide who is in charge and if they're doing it the right way, the Navy way, the American way I like to think of this as Scott's grown up follow up to 'Top Gun' had to mention it.
All the hallmarks of a slick military action flick but much more sensible without 80's pop music and male posing.
I saw this opening night at the cinema ye olde 'Warner Village' cinema's back when I was a young teen and liked it, I still like it now, what more can I say!?.
Phil H Super Reviewer. Apr 18, That's right, the USS "Alabama"; roll tide, y'all! Actually, I am in no way a sports fan, though I certainly know enough about football to you people that if I'm gonna be on anyone's side, in terms of sports, then I'm sure proud to be an Alabamian.
I love how I shamelessly boast Alabama's great football-playing abilities, as if I'm credibly reinforcing my stance that Alabama's not being full of useless, ignorant rednecks by emphasizing that hardly anyone is better than us at throwing stuff and bashing into each other.
Hey, as much as I hate us Alabamian's being stereotyped, at least our stereotypes are consistent, because if Quentin Tarantino is supposed to be a reflection of Tennessee, I don't know if they're actively offensive, a tiny bit ghetto, film buffy, big Japanese-stuff geeks, or crazy, self-abusing dare devils with an immature, but still admittedly funny sense of humor, if Johnny Knoxville is supposed to be Tennessee's testament.
I actually have a Tennessee-born friend who's into just about all the stuff Tarantino's in to, so I'm going to have to guess that ol' Quentin's the big stereotype here, though I can at least tell you that Tennessee is certainly not big in the submarine industry, because Mr.
Tarantino is getting no love in the writing credits. Now that is quite the shame, because if snappy dialogue writing is another potential Tennessee stereotype, then I'm all the way behind them actively offensive, ghetto, film buffy, Japanese-stuff geek self-abusers.
Still, neither Tarantino's underappreciated contributions nor the other sharp stuff in this film can completely blow the missteps out of the water.
As much as I give Ridley Scott trash for keeping his films just too quiet and dull, there are points in this film where I wish his brother, Tony, would just turn down the music.
Don't get me wrong, I can never get enough Hans Zimmer, yet the way Tony Scott manipulates it leaves a deal of should-be quiet scenes to overbear, though not as much as the sentimental scenes, which are rare, but when they snap on, oh man does Scott pump it full of sap with his misuse of the great Hans Zimmer's work.
Still, contrary to how I make it sound, the film quiet itself down, yet there's still too much freneticism in the air during plenty of those quiet moments, making the exposition and resonance within them to fall a touch limp, to a certain degree, while further diluting the film's level of intelligence.
Sure, as political as this film gets here and there, it's still somewhat of an action film about a bunch of manly men hanging out, spouting off military banter and occasionally engaging in some fairly brutal battles, so I'm not asking for Shakespeare here, though the film still touches on many intriguing pieces of subject matter that, in the hands of a more competent filmmaker - perhaps one that's experienced in effective action-dramas -, could have been prominent, though not to the point of drowning out tension.
Still, as it stands, Tony lives up the Scott name by presenting us a sharp production, with talented and clever writers and performers, while still not being skilled enough Or rather, smart enough as director to have the film truly live up to its potential.
Still, while Tony Scott is still not as competent as his still overly workmanlike, fellow director brother, I wasn't just blowing smoke when I said that he has put together quite the team.
Crimson Tide - Neu im kino
Jamie P. Die Hand am Drücker: Gene Hackmann r.
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